Variation im 17. und 18. Jahrhundert in Italien und Deutschland acht Streiflichter Christoph Bossert 

Erscheinungsform: Aufsatz
Autor/Urheber:
Identifikatoren/​Sonstige Nummern: 1473330300 [PPN]
In: Pasquini Symposium (2010 : Smarano) Trento : Giunta della Provincia Autonoma di Trento, 2012 , Seite 211-255 pages:211-255
Inhalt:
  • The art of the organ during the Baroque period in Germany and in Italy presents a strong affinity in the forms of the toccata and those compositions with an imitative character such as the ricercare, the capriccio, and the canzona. The art of the variation in both these regions is also closely related, at least for those variations on a harmonic base and their figurative and imitative movements. Often the theme is an aria or a dance, or at times based on a basso ostinato. The Cento partite by Frescobaldi are a spectacular example. Muffat enriches the form of the Passacaglia with repetitions in the style of a ritornello of the beginning section. A form that is uniquely German, however, is the variation on a chorale, with its roots in the Reformation and the important impulse provided by J. P. Sweelinck. An extraordinary work that highlights in many details the relation between the German and Italian tradition are the 40 variations on the lied Vater unser im Himmelreich (1627) by Johann Ulrich Steigleder. The great number of variations is however organized according to an original architectural structure. A global architectural structure is also evident in the works of J. S. Bach, such as the partitas on the chorale O Gott du frommer Gott, the passacaglia in C minor, the ciaccona for violin solo and the Goldberg variations. Another aspect of the variation is the varieties of forms in which a single theme appears. Of particular interest are the fugue in E flat major that concludes the third part of the Clavierübung and L'arte della fuga.
Weiter im Partnersystem: https://swb.bsz-bw.de/DB=2.1/PPNSET?PPN=1473330300
Suche

Partner

Verknüpfte Inhalte

Zur Merkliste hinzufügen

Teilen

Moyenne (0 Voter)